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Memo?
What memo? . . . Barry
Bonds is chasing Hank Aaron's career home-run mark, but discussion
about "755" has been overshadowed by the debate over Bonds' alleged
use of performance-enhancing drugs. The most widely publicized charges
appear in the book "Game of Shadows," written by San Francisco Chronicle
reporters Mark Fainaru-Wada and Lance Williams, who charge that
Bonds used steroids from 1998 to 2002.
Add
Bonds . . . Bonds' supporters
and such fans do exist, primarily in the Bay Area
like to point out that steroid use in Major League Baseball was
not prohibited during the 1998 to 2002 period. In 2004, ESPN.com
quoted Bonds' attorney, Michael Raines, as saying "that [steroids]
were not banned by baseball at the time." This spring, Foxsports.com
noted that "Baseball did not ban performance-enhancing drugs
until 2002," and even Bonds has said as much. In 2005, according
to SI.com, Bonds
said, "You're talking about something that wasn't even illegal
at the time. All this stuff about supplements, protein shakes, whatever.
Man, it's not like this is the Olympics."
Add
Bonds . . . ESPN The Magazine, however, maintains that
Major League Baseball banned steroids in 1991. The evidence? A
two-page memo written in 1991 by then-commissioner Fay Vincent
to "All Major League Clubs" outlining "Baseball's Drug Policy and
Prevention Program." The memo states: "The possession, sale or use
of any illegal drug or controlled substance by Major League players
and personnel is strictly prohibited . . . . This prohibition applies
to all illegal drugs and controlled substances, including steroids
or prescription drugs for which the individual in possession of
the drug does not have a prescription."
Add
Bonds . . . ESPN
reports that Commissioner Bud Selig "reissued the same memo
in 1997, with minor changes." ESPN's conclusion? "Baseball ignored
its own rules about steroids."
Add
Bonds . . . Did the commissioners' memos amount to a
true ban? Marvin Miller, who served as executive director of MLBPA
from 1966-1982, says it did not. Miller told SportsLetter that the
memos "had no standing. You're talking about a condition of work.
Introducing a new rule which is so serious that a violation could
end a player's career you can't do that without a discussion
with the union. That's absurd. There's no way it would have any
validity."
Add
Bonds . . . MLB spokesman Rich Levin told SportsLetter
that MLB issued the drug memos "every year." But he admitted that
the policy, which was never a part of the collective bargaining
agreement, was "unenforceable." Said Levin: "We couldn't do anything
because it was a unilateral policy [issued] without the union. It
had no teeth, and so we couldn't act on it." Levin noted that MLB
attempted to reach agreement with the union on a drug policy beginning
in 1986, but that these efforts were rebuffed. Drug testing among
Minor Leaguers began in 2000; in the Majors, it started in 2003,
after MLB and the players' union finally agreed on a policy.
Final
Bonds . . . It is not clear what Bonds and his apologists
mean when they say steroids were not "illegal." If they are referring
to baseball and its rules, then they have a reasonable case. The
law of the land, however, is a different matter. In 2000, when Bonds
is alleged to have used steroids, the 2000
U.S. Code listed anabolic steroids as a controlled substance.
Simple possession of steroids was punishable, under the Code, by
up to one year in jail and a fine.

Printed
matter . . . If there's a niche, a magazine will fill
it. That might explain the existence of a new glossy quarterly titled
Professional Sports Wives
Magazine, founded by Gena James Pitts, the wife of former NFL
defensive lineman Mike Pitts, now a defensive line coach at Morehouse
College.
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magazine . . . Publisher-editor
Pitts describes the publication as "a cross between a sports wives
version of Sports Illustrated, People, and Oprah." Her audience
includes the wives of active and retired athletes, coaches, and
executives, whom Pitts describes as "natural caregivers, motivators,
gate-keepers, hostesses, organizers, coordinators, nurses, at-home
coaches, personal assistants, 'pillow-talkers', negotiators, business
managers (with keen instincts), excellent communicators, and kind-hearted
volunteers who can handle a multitude of tasks (all at one time)."
Add
magazine . . . On the magazine's website, Pitts notes
that the PSWM is mailed to members of the Professional Sports Wives
Association and distributed to team lounges. She also claims that
the "targeted distribution to over 707,000 of the highest income
homeowners gives [advertisers] the ability to reach prospects with
the means to purchase your products and/or pay for your services."
Presumably, that would include such services as automobile detailing
and divorce attorneys.

R.I.P.
Flash and Boxing Update . . . The always entertaining
and knowledgeable newsletters for boxing aficionados took the ten-count
at the beginning of the year.
R.I.P.
Sportspages . . . Founded in the mid-1980s, London-based
Sportspages was one of the few remaining all-sports bookstores on
the planet. Unfortunately, the store shuttered earlier this year.

The
sun never sets . . . The
2006 Commonwealth Games, held in March in Melbourne, sold
more tickets than February's Olympic Winter Games, in Torino.
Late sales helped boost Torino sales to nearly 900,000 tickets.
Melbourne organizers sold over 1.6 million tickets to their event
the following month. Once called the British Empire Games, the Commonwealth
Games, this year, featured more than 4,000 athletes from 71 nations
and territories competing in 16 sports. Next stop for the Commonwealth
Games: New Delhi in 2010.

But
is it a sport? . . . Meanwhile,
Seattle
is preparing to host the 2007 World Cyber Games. The five-year-old
event was last held in Singapore, where 55,000 spectators came to
watch teams compete for $2.5 million in prize money in such games
as "FIFA Soccer 2005" and "Dead or Alive Ultimate." According to
WCG organizers, some 1.25 million competitors participated in the
World Cyber Games, which they call "the
largest cyber-gaming event serving what is becoming the largest
sports market in the world."

The
new soccer film "Goal! The Dream Begins"
has grossed
all of $3.6 million since it debuted in the U.S. on May 12.
The filmmakers certainly cannot blame the timing of the film's release
about a month before World Cup for its poor box-office
showing. Nor can they blame Disney's promotional clout: after all,
the company owns ABC and ESPN the two domestic television
partners on the Word Cup. Which leads to the question: Could the
current political controversy over immigration be part of the reason
the film has flopped?
Add
film . . . On the surface,
"Goal!" is a typical feel-good, sports-underdog flick that chronicles
the journey of a young Latino soccer player from East Los Angeles
to stardom in England. But in an unexpected twist, the hero of the
film [played by Kuno Becker] happens to be an undocumented immigrant,
making what has become a hot-button political issue an important
part of the story line. Disney officials did not return numerous
phone calls from SportsLetter to comment on the film, but producer
Mike Jefferies told the Los Angeles Times [May 11] that "the decision
to make Santiago an undocumented immigrant was made to touch on
the political issue. I have lived in L.A. for many years and am
aware that [the immigrant issue] has been brewing and bubbling for
some time and would be contemporary at some point.'"
Add
film . . . Soccer films usually perform poorly in the
U.S. The last major soccer film released domestically 2005's
"The Game of Their Lives," about the U.S. team's "Miracle on Grass"
upset victory over England in the 1950 Word Cup grossed
less than $500,000 in very limited release. "Game" flopped despite
its excellent sports pedigree: it was directed by David Anspaugh
("Hoosiers," "Rudy") and produced by Bristol Bay, a production company
financed by Phil Anschutz, whose Anschutz Entertainment Group owns
several Major League Soccer teams.
Last
film . . . "Bend It Like Beckham," which grossed $32
million domestically, remains the exception to the rule. Released
in the United States in 2003 prior to the 2003 Women's World Cup
staged in several American cities, "Bend It Like Beckham" benefited
from an unusual grassroots
marketing campaign that narrowly targeted American soccer fans,
players and their families.

Film
dreams . . . Under the terms
of the National Film Preservation Act, the Librarian of Congress
annually names 25 "culturally, historically or aesthetically significant
motion pictures" to the National
Film Registry. This year, two sports-themed films were added.
One was "Hoop Dreams" (1994), Steve James' Academy Award-nominated
documentary about the trials and tribulations of two African-American
high-school basketball players. The other was the notorious film
of the James Jeffries-Jack Johnson heavyweight championship fight
(1910). After Johnson's overwhelming victory over boxing's first
"Great White Hope," the film was banned in certain states because
of fear of white rioting.
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Registry . . . The National
Recording Registry, meanwhile, preserves historic recorded sound.
This year, the Registry added the broadcast of the second Joe Louis-Max
Schmeling fight on June 22, 1938, when an estimated radio audience
of 70 million people listened to veteran announcer Clem McCarthy
give the blow-by-blow broadcast on NBC.

Soccer
chilled . . . Call it the wickedly cool offspring of
the World Cup and the Stanley Cup playoffs. It's the newly-devised
sport of ice soccer, the brain-child of Doug Taylor. Michigan-based
Taylor says he invented the sport to entertain guests at a party
he threw. He has since concocted a sport-specific "ball"
called the Boot'r, which he has trademarked and sells for $49.50
and now offers tips for starting ice soccer leagues on his
website. The sport recently got an on-ice test during an exhibition
scrimmage at Colgate University in upstate New York, but Taylor
is thinking bigger. He says he hopes to "see it played professionally
in franchised leagues by the year 2015." Or, when hell freezes over.

Time
out . . . France's Laure
Manaudou recently broke Janet Evans' 18-year-old world record in
the 400-meter freestyle, set at the 1988 Seoul Olympic Games. That
caused the digital fanatics at SL headquarters scurrying to their
computers to find the longest-standing world records. According
to FINA, the world swimming federation, that would be Evans' 1500-meter
freestyle mark of 15:52.10, set on March 26, 1988. Interestingly,
among male and female swimmers, there are now only four world records
on the books that were set before 2000: Evans' 1500- and 800-meter
freestyle (set in 1989), Hungary's Kristina Egerszegi's 200 backstroke
(set in 1991), and China's Yanyan Wu's 200-meter individual medley
(set in 1997). The "earliest" men's mark was established in 2000.

The
Real Color of Money: Controlling Black Bodies in the NBA. David
J. Leonard. Journal of Sport & Social Issues. 30(2) 2006.
The NBA's proposed age
limit that would prevent high school players from jumping directly
into the league "works from the same racist logic that identifies
Black bodies as threats to White hegemony and pleasure, conceiving
of rules, state power, and surveillance as proper and needed methods
to save both the game and community. To protect the streets thus
necessitates more police and prisons whereas protecting the NBA
mandates increased rules and regulations of bodies, . . . trash
talking . . . and [clothing]; or in the end, restricting who can
and cannot enter the league. The racial implications are as undeniable
here as is the policy's intent to control Black male bodies and
aesthetics."
Race,
Performance, Pay, and Retention Among National Basketball Association
Head Coaches. Lawrence M. Kahn. Journal of Sports Economics.
7(2) 2006.
An analysis of NBA coaches,
using a "hazard function approach," found that between 1996 and
2003 there were only "small and statistically insignificant racial
differences" related to "entry, pay or retention." These findings
suggest that black NBA coaches are not subject to racial discrimination
in these areas.
What
Takes Them Out of the Ball Game? Martin B. Schmidt and David
J. Berri. Journal of Sports Economics. 7(2) 2006.
The data suggest that
in the early baseball "customers appeared to be less concerned with
their team's winning and losing." Fans attended games out of a sense
of "loyalty" to their team. "Beginning in the late 1960s, though,
this perception seemed to change" and attendance became increasingly
determined by a team's won-lost record. Baseball, in effect, became
"but one more form of entertainment," whose "fickle" customers would
quickly "move on to more satisfying forms of recreation" when their
teams failed to win. As baseball owners and players have come to
treat the sport as "more of a business . . . fans may have reacted
by treating MLB similarly."
DAVID MARANISS
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In 1993, Washington Post reporter David Maraniss won a Pulitzer
Prize for his "revealing articles on the life and political
record of candidate Bill Clinton." After writing "First in
His Class: A Biography of Bill Clinton," Maraniss wrote an
acclaimed biography of Green Bay Packers coach Vince Lombardi,
entitled "When Pride Still Mattered: A Life of Vince Lombardi,"
and then "They Marched Into Sunlight: War and Peace, Vietnam
and America, October 1967." This spring, Maraniss has returned
to sports with a new biography: "Clemente: The Passion and
Grace of Baseball's Last Hero" (Simon & Schuster), about the
Pittsburgh Pirates outfielder.
Roberto Clemente, of course, was no ordinary ballplayer.
Born and raised in Puerto Rico, he was among the first wave
of Latin ballplayers to reach the Majors.
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This
book may be purchased at amazon.com |
His four batting titles,
twelve Gold Gloves, one MVP award, and two World Series rings made
him a perennial National League all-star in an era that featured
such outstanding outfielders as Hank Aaron, Willie Mays, Curt Flood
and Lou Brock.
Clemente's life ended
in heroic circumstances: flying supplies to aid victims after a
horrific earthquake in Nicaragua, Clemente died when the airplane
crashed just after take-off. He became the second player to be enshrined
at Cooperstown without the normal five-year waiting period after
retirement Lou Gehrig was the first and the first
Latino player to earn Hall of Fame honors.
Using his expert reportorial
skills, Maraniss chronicles Clemente's life and career from Puerto
Rico to Pittsburgh to Nicaragua. He details the challenges that
Clemente faced as a Black Latino ballplayer during the turbulent
1960s, uncovers new information about the plane crash that killed
Clemente and evaluates Clemente's legacy among contemporary Latino
players. The result is an absorbing biography that gives this long-misunderstood
and overlooked legend his due.
Recently, Maraniss came
to Southern California to make an appearance at the annual Los Angeles
Times Book Festival, part of the western swing of his promotional
tour. He spoke with SportsLetter at the small, comfortable lobby
of the Loews Beverly Hills Hotel.
—
David Davis
SportsLetter: Were there any sports-themed books that influenced
you growing up?
David
Maraniss: The first two books that influenced me were both Packer
books: "Run to Daylight" [by Vince Lombardi and W.C. Heinz] and
"Instant Replay" [by Jerry Kramer and Dick Schaap]. I loved Jim
Brosnan's "The Long Season" and all of George Plimpton's and David
Halberstam's books. And, I know I'm forgetting a lot.
SL: How long
did the Clemente book take you to research and write?
DM: My dad died
while I was doing it, and I had some other personal things to deal
with, but basically three years. In 2000, I signed a two-book contract
to do the book about Vietnam and the 1960s and the Clemente book.
While I was doing the Vietnam book, every once in a while I'd do
a little on Clemente. But I started it fulltime in about April of
2003.
SL: The Washington
Post is very patient, eh?
DM: They really
give me a lot of freedom. I've worked there for almost 30 years.
I could leave and just do books, but they like to have some relationship
with me. I do edit some projects. When 9/11 happened I was on book
leave, but I came back immediately.
SL: How did you
come to write about Roberto Clemente after Vince Lombardi?
DM: Essentially,
because "Lombardi" sold really well, that gave me the opportunity
to do "Clemente." Lombardi might be a bigger figure in American
life because of [the stature of] pro football, but Clemente is more
important to me personally. This book was really closer to my sensibilities.
As a progression of writing about things that I care about, Clemente
was always high up there.
SL: The Lombardi
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